University of Victoria Legacy Art Galleries

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Downtown

Translations: The Art and Life of Elizabeth Yeend Duer—Gyokushō 玉蕉

January 12 - April 6, 2019

Legacy Downtown | 630 Yates St.
Lekwungen territories

View upcoming programming here.

Co-curators: Carolyn Butler Palmer, Legacy Chair in Modern and Contemporary Art of the Pacific Northwest, Art History & Visual Studies, University of Victoria; Mikiko Hirayama Associate Professor of Asian Art History and Director of Asian Studies, College of Arts and Sciences, University of Cincinnati; and Janice Okada, B.A., M.M.St.

Translations showcases the movement of ideas, aesthetics, politics, and people between England, Japan, and Victoria, Canada, by looking at the life and work of Anglo-Japanese artist Elizabeth Yeend Duer (1889–1951). Born a British citizen in Nagasaki to an Englishman and a Japanese woman, Duer studied Nihonga, a traditional Japanese-style painting, with the renowned painter and teacher Atomi Gyokushi 跡見 玉枝. Duer took on the artistic identity of Gyokushō 玉蕉. She immigrated to Victoria in 1940 and is among the remarkably few people of Japanese heritage who were not interned during World War II. Instead, she Japanized her new environment by producing Nihonga-style paintings of local indigenous wildflowers while her own identity was being anglicized.

A project of the Williams Legacy Chair in Modern and Contemporary Art of the Pacific Northwest.

Image: Kamass Camassia quamash; Camas, Elizabeth Yeend Duer—Gyokushō 玉蕉, 1941.

Campus

Current Exhibitions - Legacy Maltwood

Landmarks

The Art of The Malahat Review

Legacy Maltwood (at the Mearns Centre – McPherson Library)

January 25 - August, 2018

Curated by Caroline Riedel, Legacy Art Galleries, UVic.

The Malahat Review one of Canada’s most iconic and long-standing literary journals. In its fifty-year run, its pages have featured the work of established writers, emerging talent and critical essays on both literature and the visual arts. The synergy between art and literature is particularly evident in the cover art and essays of the journal’s first decade, which presented new work by internationally acclaimed artists such as Henry Moore, Barbara Hepworth, Andy Warhol, and Roy Lichtenstein. These prestigious contributors were followed by the gradual introduction of west coast Canadian artists who at the time were making their mark on the emerging modern art scene of Victoria and Vancouver in the 60s and 70s. Thereafter, Canadian artists were equated with the visual identity of the magazine.

This exhibition pays tribute to the role of art in the journal – selected from 200 cover images over the past 50 years- and focuses in particular on works from the journal’s home institution, the collection of the University of Victoria. Featured artists include Maxwell Bates, Robert De Castro, Glenn Howarth, P.K. Irwin, Davidee Kavik, Jack Kidder, Tony Hunt Sr., Elza Mayhew, Eric Metcalfe, Myfanwy Pavelic, Margaret Peterson, Bill Reid, and Gordon A. Smith.

Commemorative limited-edition publication The Malahat Review at Fifty: Canada’s Iconic Literary Journal

Click here to view the PDF

This publication was produced by UVic Libraries as part of its imprint and publication series.

The limited-edition monograph highlights The Malahat’s achievements while looking forward to the future, and is richly illustrated with archival material from UVic Special Collections and University Archives and art from the UVic Legacy Art Galleries’ collection. Essays, critical commentaries and memoirs were provided by past and present editors, contributors and editorial board members—as well as nationally prominent writers with long associations with the journal—including Jan Martel and UVic Chancellor Shelagh Rogers, as well as Phillip Kevin Paul, Derk Wynand, Eve Joseph, Jay Ruzesky, Jan Zwicky and others.

Image: Head of Cadmium, Margaret Peterson.

Exhibitions - First People's House

Our Relations

September, 2018 - August, 2019

Curated by Wyatt Schiefelbein, Young Canada Works Graduate Intern

First Peoples House, UVic Campus

For hours & location click here

This exhibition focuses on the notion of relationship mîyo-wîcehtowin or good/beautiful relationship. Some pieces tell stories of relationships that have been formed and maintained since the Beginning and which continue to develop to this day. Other pieces show the formation of new relationships based on respect and kinship, while still others reflect the interconnectedness of all things.

By better understanding the ways in which relationships function in our everyday lives, we can learn how to create and maintain mîyo-wîcehtowin on Turtle Island.

Image The Dance of Life and Death, Abraham Apakark Anghik Ruben, n.d.

We acknowledge the support Young Canada Works at Building Careers in Heritage

Upcoming

Upcoming Exhibitions - Legacy Downtown

Myfanwy Pavelic: Mirrored Selves Within and Without

April 20 - July 6, 2019

Legacy Downtown | 630 Yates St.
Lekwungen territories

Opening event with curator’s talk: Saturday, May 25, 2-4pm.

Guest curated by Patricia Bovey.

An in-depth look at the artist, her career and her subjects.
More details to follow.

Image: Myfanwy Pavelic, Raincoat (Self-Portrait), 1987.

Upcoming Exhibitions - Legacy Maltwood

Legacy Maltwood Renovation

Legacy Maltwood (at the Mearns Centre – McPherson Library)

Landmarks will remain on display in the Legacy Maltwood in the Mearns Centre for Learning on the lower level of McPherson Library through Fall 2018. At that point, we will embark on renovations to allow better use of the space. In the current configuration, we are limited to displaying small flat objects such as books or unframed prints and drawings. Stayed tuned for a more open and inviting Legacy Maltwood gallery space with more varied and innovative exhibitions.

Image: Head of Cadmium, Margaret Peterson, 1948.

 

Reside

Co-curated by Emerald Johnstone-Bedell & Katie Hughes

Date: TBA

Legacy Maltwood (at the Mearns Centre – McPherson Library)

Imagine walking through a neighbourhood on a quiet dark night. Light floods through the windows of the buildings and homes along the way. With a reluctant curiosity, you can see clearly into these private and sometimes lively interiors.

Reside captures the feeling of how a brief glimpse into the intimate spaces of others can give us an opportunity to consider another’s way of being. Paintings, prints and photography from the collection are accompanied by film and written word.

Myfanwy Spencer Pavelic, 1205, 1946.

Events

Upcoming Events

Artist in Gallery: Cindy Mochizuki

Other Faces of Nihonga 

Friday, March 8 | 4 - 8pm and
Saturday, March 9 | 11am - 3pm
Legacy Downtown | 630 Yates St.
Lekwungen territories

Free * Drop-in * No registration required

Facebook event

Join Vancouver based artist Cindy Mochizuki in a collective embroidery and listening experience focusing on the historical and contemporary racialized experiences of women of Japanese Canadian and Japanese descent in British Columbia. Mochizuki's project responds to the Legacy Gallery's current exhibition Translations: The Art and Life of Elizabeth Yeend Duer—Gyokushō 玉蕉.

Ikebana Workshop with Amanda Gaunt

Sunday, March 17 | 1 - 3pm
Legacy Downtown | 630 Yates St.
Lekwungen territories

Call/email to register: 250.721.6562 | legacy@uvic.ca

Cost per person (includes all materials): $35
No experience necessary

Facebook event

Join us at Legacy Downtown for a beginner ikebana workshop and learn the Basic Upright Style Moribana, one of two styles that are the foundation for all Japanese flower arranging. The workshop will take place amid the beautiful watercolour paintings of Victoria wildflowers by Elizabeth Duer—Gyokusho..

Container, kenzan and plant materials will be provided so you can continue to create beautiful arrangements at home. Please bring a pair of clippers and a bag to carry the container and kenzan.

Amanda Gaunt is a teacher in the Sogetsu School of Ikebana. She studied in Japan for more than 12 years.

Past Events

Research Symposium

Translations: The Art and Life Of Elizabeth Yeend Duer—Gyokushō 玉蕉

Saturday, January 19 | 9am to 5pm
Legacy Downtown | 630 Yates St.
Lekwungen territories

Free and open to the public. Register here.

Facebook event

This symposium examines intersections between Victoria, England, and Japan from the late nineteenth century to the 1950s with a range of talks including Japan's influence in England, the history of Japanese Gardens in Victoria, artist travellers to Japan, Japanese-Canadians and internment in British Columbia, interracial families in Japan, and Duer's life, wildflower paintings, and ethnobotany.

The symposium features a keynote address by Dr. Mikiko Hirayama, Associate Professor of Asian Art History and Director of Asian Studies, College of Arts and Sciences, the University of Cincinnati. The title of Dr. Hirayama’s talk is “Gyokushō Elizabeth Duer as a Female Nihonga Artist in Meiji Japan.”

Image: Elizabeth Yeend Duer-Gyokushō, Kamass Camassia quamash; Camas, 1941.

Curator Talk

Translations: The Art and Life of Elizabeth Yeend Duer—Gyokushō 玉蕉

Saturday, February 2 | 2pm
Legacy Downtown | 630 Yates St.
Lekwungen territories

Facebook event

Join Williams Legacy Chair Carolyn Butler Palmer (Associate Professor, UVic Art History and Visual Studies) and exhibition co-curator Janice Okada (B.A., M.M.St) to learn more about the project and Elizabeth Duer’s story.

This event is happening during UVic's Alumni Week! Check out other Alumni Week events here.

Workshops

Upcoming Workshops

Teacher Professional Development Workshop - Grades 4-12

Friday, October 19th 1:30-3:30

To register, click here

Legacy Downtown | 630 Yates St.

Testify: Indigenous Laws and the Arts - with Dr. Rebecca Johnson, Faculty of Law

The exhibition Testify is a celebration of Indigenous Laws as expressed through art. The TRC Calls to Action identify the need to change the way we think about law, and to challenge the absence of Indigenous laws in the landscape. Art is a powerful way to do that. This workshop invites educators into a dialogue about how to put Reconciliation into practice by creating a space for Indigenous and non-Indigenous Canadians to dream ways forward which respect and reflect the diversity, strength and hope embodied within Indigenous traditions. Through discussion and engaging with the exhibition participants will explore some of the following topics:
• Laws about people and our interrelationships with each other and our living world
• Laws about lands
• Laws about water
• Laws about children and families
• Indigenous laws about justice/fairness
• Laws about women and their places of power and honour in Indigenous societies
• Indigenous laws in land and resource use decisions

Upon completion of the workshop, participants will be able to:
• Understand Indigenous laws are vibrant and necessary • Identify the important relationship between art and law in Indigenous traditions. • Incorporate discussions about Indigenous laws into classroom curriculum

Workshops - On Campus

An experiential workshop with art for UVic classes

Visual & Critical Thinking Skills

Fall Term Sept - Dec 2018 - Two Hour Sessions

On campus - Legacy Maltwood Mearns Centre - McPherson Library | RM. 025

Free for UVic classes | Max 25 participants

This learner-centered workshop is designed to help students develop visual and critical thinking skills in an inclusive learning environment that encourages respectful interactions and multiple points of view.

Students will learn how to:
• Look deeply • Inquire openly • Listen attentively • Suspend judgement Hold multiple perspectives - listen to & consider the views of others • Think critically & question assumptions

BOOK EARLY - the 8 fall sessions will fill quickly!

Contact: Gillian Booth, Academic & Community Programs Coordinator
gkbooth@uvic.ca | 250.721.0831

Image: Moira, Martin Guderna, 1982

Workshop for UVic students.

Collections Management Overview

This hour-long workshop will offer both practical information and hands-on opportunities for students to learn about aspects of collections management in museums. Topics include object handling, cataloging, storage, tracking and condition reporting.

Writing Effective Label Copy

An exhibition is not an essay on the wall! Learn how to write engaging label copy for gallery visitors. Students will gain an understanding of how to distill academic writing and translate ideas into key points that make effective writing for exhibitions, both in the gallery space and online.

Contact: Contact: Caroline Reidel, Collections Manager
criedel@uvic.ca | 250.472.5619

Past Workshops

Trans_workshop

Coast Salish Wool Weaving with Chief Janice George and Willard ‘Buddy’ Joseph

Legacy Downtown | 630 Yates Street

Sunday, June 10th, 2018 | 10am - 4pm

Call/email to register:
250.721.6562 | legacy@uvic.ca

Cost per person (includes all materials & snacks) | No experience necessary

$115 Adult | $80 Indigenous Peoples & UVic Students

* There will be a presentation during the lunch break – please bring a lunch if you would like to join in.

Join acclaimed weavers Chief Janice George and Willard ‘Buddy’ Joseph for an in-depth course on the cultural significance and traditional methods of Salish wool weaving. Working with individual looms, participants will learn the twill and the twine techniques of Salish wool weaving and create a unique wall hanging to take home. This workshop is organized in conjunction with our newest exhibit, The Time of Things and will take place in the exhibition.

SkwetsimeltxWillard ‘Buddy’ Joseph and Chepximiya Siyam’ Janice George are accomplished weavers and teachers from the Squamish Nation They have co-founded L’hen Awtxw Weaving House to share the teachings and practice of traditional Coast Salish wool weaving.

Along with Leslie Tepper, they also co-authored the 2017 book, Salish Blankets: Robes of Protection and Transformation, Symbols of Wealth.

Education

STUDENTS

Educational Resources

UVic Legacy Art Galleries - Where art works for teaching & learning.

The Legacy Downtown & the Legacy Maltwood on campus provide rich academic experiences for UVic students and faculty.

- Book our downtown classroom space
- Schedule our on-campus workshops
- Book a free facilitated visit
- Access our collection for research & study

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Perpetual Salish:

Coast Salish Art in the Classroom

Perpetual Salish: Coast Salish Art in the Classroom is an online resource for teachers, offering cross-curricular lesson plans to engage students and facilitate their understanding of Coast Salish culture and art.

This site is based on the exhibition Perpetual Salish: Contemporary Coast Salish Art from the Salish Weave Collection, curated by Coast Salish artist lessLIE, and originally presented at the University of Victoria's Legacy Art Gallery Downtown (August 15, 2014 - January 10, 2015). The Legacy presented tours of the exhibition for grade four classes to educate the students about Coast Salish art and culture. Coast Salish Art in the Classroom aims to bring this educational initiative to a broader audience.

Click here to visit the website Coast Salish Art in the Classroom

Image wHOle W(((h)))orl(((d))) - lessLIE, Serigraph on paper, 2014

Tours

Tours - Legacy Downtown

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Book your class visit to the Legacy

We welcome visits from UVic classes!

We can offer an introduction to any exhibition at the Legacy Downtown. Full tours of some exhibitions are available. We have classroom space for up to 30 people. Please book ahead.

Post-secondary & High School Tours

We can offer an introduction to Testify for any pre-booked self-guided visit.

Contact - Gillian Booth, Academic & Community Programs Coordinator
gkbooth@uvic.ca | 250.721.0831

Collection Search

Hours

Connect

Rent the Gallery

Art on Campus