Daniel Laskarin, blue chair :: if this
October 31, 2013 – January 11, 2014
Legacy Art Gallery Downtown
Curated by Mary Jo Hughes
par-a-dox n. 1. A statement that seems to contradict itself but may nonetheless be true.
The notion of paradox provides an apt means of curating seven divergent artists who make up the University of Victoria’s Visual Arts department. Despite their widely varying practices, they share fundamental interests in the contradictory nature of our very physical and psychic experiences in, and of, the world around us.
Paradox presents the recent work of the artists teaching in department of Visual Arts of the University of Victoria. The seven faculty members (Daniel Laskarin, Sandra Meigs, Robert Youds, Vikky Alexander, Lynda Gammon, Jennifer Stillwell, and Paul Walde) are mid-career and senior artists with national and international careers. Each artist will be represented by work characteristic of current practice relating to the theme of the paradox implicit in our experience of art.
Paradox aims to bring wider understanding to the particular strengths of this nationally acclaimed academic program, which is rooted in explorations of phenomenology and in the perceptual, conceptual, and interactive contexts of contemporary visual art.
An opening reception was held on November 1, 2013 with the seven artists and public in attendance.
On December 1, 2013 an experimental concert titled Music for Mycologists was held in support of Paradox. Paul Walde’s large mushroom spore prints (Interdeterminacy, 2012) also act as musical notation. Tina Pearson (flute, voice), George Tzanetakis (bass clarinet) and Paul Walde (bass guitar) interpreted the prints sonically and also played pieces by John Cage and Vaclav Halek.
American composer John Cage was an avid mycologist. Cage often quipped that music and mushrooms have nothing to do with one another except for the fact that they appear next to each other in the dictionary. Experimental Music Unit put this statement to the test.