Category Archives: Online Projects

Exhibitions or artists with an online catalogue or exhibit on an external website.

Perpetual Salish: Contemporary Coast Salish Art from the Salish Weave Collection

 

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August 15, 2014 – January 10, 2015

Legacy Art Gallery Downtown

Curated by lessLIE

View the online catalogue:

Perpetual Salish – Catalogue

In this exhibition the theme of perpetuation unifies the work of five contemporary Coast Salish artists who live and work in this region. The word perpetuation is meant to suggest a continuum of ideas and processes, which come from distinctive traditions that have existed over millennia. Perpetuation also infers some of the challenges that contemporary Coast Salish artists continue to face in the contexts of colonialism and assimilation as well as the dominance of other Indigenous traditions, which were often favoured by the art world, in both commercial and educational contexts. It is only in the last three decades that Coast Salish art has become more readily recognized by a wider audience as distinct from other Northwest Coast traditions.

This exhibition presents a wide range of art forms and ideas, and visitors will gain a better understanding of the cultural and stylistic elements that unify and inspire these contemporary artists in their own artistic practices. Artists featured are Maynard Johnny Jr., lessLIE, John Marston, Susan Point and Dylan Thomas.

Watch the video:

Margaret Peterson: A Search In Rhythm

Portrait of Margaret Peterson by Curtis Lantinga, 1984SMALLApril 11 – August 18, 2014

Legacy Art Gallery Downtown

Discover more about Margaret Peterson by visiting the project website, click here.

Watch a short video about Margaret Peterson featuring Patricia Bovey | Robert Amos | Nick Tuele | Anne Mayhew | by Justine Drummond, click here.

This special curatorial project was developed in partnership with the University of Victoria Legacy Art Galleries and UVic’s Special Collections and University Archives with funding support from the BC Arts Council. The project allowed for a co-op intern to select and develop a project to present new interpretations and scholarship utilizing primary research material and original works of art held at the university. Under the mentorship of the Legacy Art Gallery Director, Curator of Collections, and the University Archivist, the student created an exhibition and public program that highlights a major Canadian artist and furthers an important initiative of the University of Victoria, namely the building of the local artists’ archival holdings. This exhibition is one of the first of a series working with the artists’ archives at the University of Victoria.

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Windows Into Heaven: Religious Icons from the Permanent Collection

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Icon of the Virgin Hodegetria, 18th century, Gift of Dr. Bruce and Mrs. Dorothy Brown

April 23 – July 19, 2014

Legacy Small Gallery

View the online catalogue:

Windows Into Heaven Catalogue

Co-curated by graduate student Regan Shrumm and Dr. Evanthia Baboula, (History in Art)

Featuring Russian icons and crucifixes from the University of Victoria’s permanent collection, this exhibition examines religious, historical, and cultural meanings past and present.

The objects featured in this exhibition originate in pre-revolutionary Russia and include icons of varied forms as well as crosses – important liturgical instruments and quintessential Christian symbols.

Shakespeare’s “Big Books”

Detail of a portrait of William Shakespeare

Detail of a portrait of William Shakespeare

September 21 – October 23, 2013

Legacy Small Gallery

Curated by Dr. Janelle Jensted and Dr. Erin E. Kelly

Click here to read more about the University of Victoria’s celebration of the Bard.

The Shakespeare First Folio (First Collected edition of his plays) is one of the Western world’s best-known and most iconic books. Discover why these folios have held people’s fascination through the centuries and enjoy and opportunity to see all four 17th century folios together for the first time in BC.

This exhibition was part of the Shakespeare Onstage-Offstage community celebration of the Bard. View the Shakespeare Onstage—Offstage brochure here and learn more about the events here.

Core Samples: Visual Arts Faculty 1966-1986

Don Harvey, Black Diamond #3

Don Harvey, Black Diamond #3

June 19 – October 25, 2013

Legacy Art Gallery Downtown

Curated by Caroline Riedel

View the online catalogue:

Core Samples – Catalogue

This exhibition presents an overview of the University of Victoria’s Visual Arts department from its earliest days as a breakaway department from the Faculty of Education to the individually and collectively earned reputations for innovation in painting, printmaking, drawing, photography and sculpture.

Thirteen artists who were also appointed faculty members are included in this exhibition including John Dobereiner, Donald Harvey, Pat Martin Bates, Gwen Curry, Douglas Morton, Roland Brener, Mowry Baden and Fred Douglas. Primarily drawing on work from the university’s permanent collection, this exhibition reflects a range of media and groundbreaking artistic practice.

Similar Exhibitions:

Karl Spreitz

Karl Spreitz scouting locations for the BC FIlm Commission in Stewart, B.C.

Karl Spreitz scouting locations for the BC FIlm Commission in Stewart, B.C.

Online Catalogues

There are two online catalogues of Karl Spreitz’s work. Karl Spreitz and Collaborators Archival Film Collection (2013) features many of his films, essays, transcripts and biographies of Spreitz and his collaborators.  Karl Spreitz Film Collection (2001) has an inventory of his works, a glossary of film terms and information about Spreitz’s work.

More About the Exhibitions

The Karl Spreitz Film Collection at the University of Victoria consists of more than 100 reels of 16mm film in various stages of production. Many of these films were produced by Spreitz in collaboration with other artists and friends such as Colin Browne, Vicky Husband, Anne Mayhew, Michael Morris and Herbert Siebner and are both personal and documentary in nature.

Covering a period of more than three decades, the content of the films describe the working process of local artists, historic events, and political and environmental issues. The collection is of tremendous historic value both in terms of film production in British Columbia, subject matter, and as a partial record of Spreitz’s career.

 

Understanding Place in Culture: Serigraphs and Transmission of Cultural Knowledge

Francis Dick, The Dragon
Francis Dick, The Dragon

October 18, 2012 – January 28, 2013

Legacy Maltwood (at Mearns Centre – McPherson Library)

Curated by Shelby Richardson

The Understanding Place in Culture online catalogue is available here. It features a curatorial essay, numerous works of art and information about the artists.

Museums and other educational institutions are often seen as sites of privileged knowledge production, spaces that have often excluded minority perspectives and realities. This exhibition presents a selection of prints from the George and Christiane Smyth and Vincent Rickard Northwest Coast Print collection that focus on representations of place and Indigenous knowledge production. The perspectives represented by these artists challenge the hegemonic practices of institutions, such as museums, by positioning the artists as the ethnographic authorities on their cultural expressions and knowledge.

Transformation: A Retrospective

Duncan Regehr, Untitled I
Untitled I, Duncan Regehr, 2010

June 13 – August 24, 2012

Legacy Art Gallery Downtown

Curated by Nicholas Tuele

View the online catalogue:

Transformation: A Retrospective Catalogue

For the summer months the Legacy Art Gallery Downtown presents a full retrospective of Duncan Regehr’s “Transformation” body of work. Through a wide-ranging presentation of media the viewer will become acquainted with the artist’s working method: to develop a series of paintings, sculptures, drawings and writings that project and explore a common theme or philosophy. By delving into the collective subconscious and the psyche, Regehr produces images of an intense personal nature, which invites reciprocal identification by the viewer.

Poetry Reading and Curator’s Talk, Saturday July 14 at 1:30pm – 3:30pm.

The Emergence of Architectural Modernism II (Victoria Modern Series)

Hubert Norbury, Bay Parkade Entry (1960)

Hubert Norbury, Bay Parkade Entry (1960)

The Emergence of Architectural Modernism II: UVic and the Victoria Regional Aesthetic in the Late 1950s and 60s

November 30, 2011 – February 26, 2012

Legacy Art Gallery Downtown

It features a tour of 1950s and 60s UVic architecture, architect and designer biographies, and a free PDF of the catalogue.

This series of exhibitions and publication projects explores the relationships, personalities and projects contributing to the development of a regional modernist aesthetic in the post-war Victoria urban landscape (1939–2013). It celebrates and coincides with celebrating the 150th anniversary of the founding of the City of Victoria (2012) and 50th anniversary of the founding of the University of Victoria at its Gordon Head Campus.

During the late 50s and 60s, a small number of legacy architectural firms changed Victoria’s built environment with forward-looking planning and bold new architectural forms. Using plans, drawings, photographs and architectural models from the period, this exhibit explores a number of planning initiatives, design projects and building programs that defined this important phase in the development of the Capital Region.

This is the second in a series of exhibitions and publications exploring the relationships, personalities and projects contributing to the development of a regional modernist aesthetic in the postwar Victoria urban landscape. This exhibition develops themes of the earlier exhibition Town and Gown: Centennial Square and the Gordon Head Campus: Seminal Projects (2011).

Exhibition Catalogue: Victoria Modern 3: The Emergence of Architectural Modernism II; UVic and the Victoria Regional Aesthetic in the Late 1950s and 1960s (2011)

Similar Exhibitions:

Victoria Modern Series Catalogues:

Victoria Modern 1: Investigating Postwar Architecture and Design on Southern Vancouver Island: an introduction (2005)

Victoria Modern 2: From a Modern Time: The Architectural Photography of Hubert Norbury: Victoria in the 50s and 60s (2009)

Click here for the Victoria Modern website

In Her Own Words

Chill Day in June, Emily Carr, oil on paper, 1938-1939

Chill Day in June, Emily Carr, oil on paper, 1938-1939

October 5 – November 19, 2011

Legacy Art Gallery Downtown

Curated by Caroline Riedel

View the online catalogue:

In Her Own Words Catalogue

This exhibition explores the artistic visions and words, both spoken and written, of three of Victoria’s best-known artists of the 20th century: Emily Carr, Katharine Maltwood, and Myfanwy Pavelic. While their artistic expression led them along different trajectories each as a painter, sculptor and portraitist, they also crossed paths in a number of instances as supporters of one another’s artistic pursuits, in their shared search for iconic imagery from the point of view of artists on the West Coast of Canada and in their exploration of both modern and traditional means of expression.

The World of Mary’s Wedding: Reminiscences of WWI

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October 22 – November 17, 2011

Legacy Maltwood (at Mearns Centre – McPherson Library)

Click here to view the University of Victoria’s Special Collection page dedicated to WWI.

A special exhibit of WWI memorabilia from the University of Victoria Archives in conjunction with the Canadian Opera Mary’s Wedding. Robert Holliston and guests present a guided tour of the Canadian opera Mary’s Wedding followed by a reception that was held at the McPherson Library for a special viewing of the exhibit featuring special items from UVic’s Special Collections was on display.

The opera itself is a love letter to the power of memory and innocence, and to a generation of Canadians who were caught in the crucible of the First World War. It explores the fleeting nature of time and the lasting power of love, evoking Prairie thunderstorms and ladies’ tea, and, as the innocence rides off to war, the horror of the battles of Ypres and Moreuil Wood, in which Canada came of age as a nation.

A link to Pacific Opera Victoria and their production of Mary’s Wedding can be found here.

Salish Reflections

Susan Point, Symphony of Butterlies
Susan Point, Symphony of Butterlies

September 2011 – Present

Cornett Building, University of Victoria Campus

The online catalogue for Salish Reflections is available here. It features a self-guided art tour, numerous artworks and artist biographies.

As part of the renovations completed in the Fall of 2011, and with the generosity of George and Christiane Smyth, the Cornett Building has become an established centre for Coast Salish art. By displaying 26 artworks created by six Coast Salish artists, the University of Victoria and the Faculty of Social Sciences hopes to honour the history, customs, and culture of the Coast Salish, while inspiring student, faculty, and the greater community.

This installation has been named Salish Reflections for two reasons. Firstly, lessLIE’s piece Reflections has been used to decorate all exterior doors of Cornett, so it seemed fit to incorporate this important work even further. Secondly, the aim of the installation is to become more familiar with and reflect upon the Coast Salish art of our region. This website was created to be a destination for those wishing to learn more about Coast Salish peoples and their art.