Author Archives: khughes

The Averted Eye Sees: The Life and Work of Glenn Howarth – Part II

 

October 15, 2016 to January 7, 2017

Curated by Jenelle Pasiechnik (UVic MA, 2015)
With supervision from Caroline Riedel (Legacy Art Galleries)

Legacy Art Gallery Downtown | 630 Yates Street

Exhibition Website

Glenn Howarth was a pillar in Victoria’s arts scene from the late 1970s until his death in 2009. He also had an enduring connection to the University of Victoria — as a Visual Arts student in the 1960s, a sessional instructor, an artist-in-residence with the Engineering Department, and recently with a bequest of his archival papers and digital art. Howarth was an innovative creator and inspired teacher searching for ways to communicate the artistic process and the perceptual functions of the eye and brain that contribute to visual perception. His work was often infused with surrealistic imagery which recalls the work of Francis Bacon. Howarth was also responsible for innovations in computer graphic art in the early 1980s working on the Telidon system as an artist in residence at UVic’s Engineering Department with Dr. Ernest Chang. He represented Canada with this work in the Sao Paulo Biennale and at Expo 86.

The Averted Eye Sees draws on UVic’s significant collection of Howarth paintings primarily from the Michael C. Williams estate, as well as Howarth’s writing, sketches, ephemera, and digital archive, part of the regional artists archive initiative of UVic Libraries Special Collections and Archives. It also includes a fascinating case study on the challenges of ‘retro-computing’ in recreating Howarth’s early experiments in digital artwork.

Due to the popularity of the exhibition on campus this summer, a second edition of this exhibition will be featured in the small gallery downtown, allowing for the viewing of a larger selection of Howarth’s powerful oeuvre.

IN DEFIANCE with artist/collaborator –  Lindsay Delaronde

October 8, 2016 to January 7, 2017

Legacy Art Gallery Downtown | 630 Yates Street

Exhibition Catalogue here

The exhibition premiering at the University of Victoria’s Legacy Art Gallery Downtown, IN DEFIANCE emerges from Iroquois Mohawk artist Lindsay Delaronde’s photographic project entitledSquaw. This project, in utter defiance to that negative word long often used to denigrate Indigenous women, seeks to break down the stereotypes. These individual portraits dismantle the negative stereotypes of First Nations women by allowing the individuals to portray themselves more authentically reflecting truth of diversity, power, and respect.


Celebration Event

Friday October 21, 7-9 pm

 

In Conversation with Lindsay Delaronde & Sarah Hunt

Saturday, October 22, 2-4 pm *Light Refreshments Provided

Join us “In Conversation” with artist Lindsay Katsitsakatste Delaronde (Iroquois/Mohawk) and Sarah Hunt (Kwagiulth), Assistant Professor of Critical Indigenous Geographies to explore this in depth photographic project through various artistic, social and political lenses.

This event was recorded – to watch the video, click here

Mask Making with Lindsay Delaronde

Sunday, Nov 6, 2016 1-4 pm

Inspired by the courageous women who expose their inner worlds through self-portraits in the exhibition, In Defiance, artist Lindsay Delaronde, will facilitate a safe and creative environment to explore hidden aspects of ourselves that may have been oppressed by dominant culture and societal norms. Make a mask that shows your external persona and your hidden self. The workshop will begin with a discussion in the exhibition with the artist.

Cornhusk Doll Making with Lindsay Delaronde  

Sunday, Nov 20, 2016 1-4 pm

Facilitated by artist Lindsay Delaronde, as a group we will discuss identity and life experience in light of 33 self-portraits by Indigenous women in the exhibition, In Defiance. Using the discussion as a jumping off point, we will make corn husk dolls as an expression of our essential identities. Learn how the tradition of corn-husk doll making can be used in contemporary contexts to assert personal agency.

 

 

 

 

 

 

 

WITH GENEROUS SUPPORT FROM:

Image credit: Lindsay Delaronde, Kelly Aguirre.

The Averted Eye Sees: The Life and Work of Glenn Howarth

 

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July 30, 2016 to October 23, 2016

Curated by Jenelle Pasiechnik (UVic MA, 2015)
With supervision from Caroline Riedel (Legacy Art Galleries)

Legacy Maltwood (at the Mearns Centre – McPherson Library)

Exhibition Website

Glenn Howarth was a pillar in Victoria’s arts scene from the late 1970s until his death in 2009. He was an innovative creator and inspired teacher searching for ways to communicate the artistic process and the perceptual functions of the eye and brain that contribute to visual perception. He was also responsible for innovations in computer graphic art in the early 1980s working on the Telidon system as an artist in residence in the Engineering Department at the University of Victoria campus with Dr. Ernest Chang. In 1983 he represented Canada in the Sao Paulo Biennale with some of this work and also presented it locally at  the Art Gallery of Greater Victoria and UVic’s Maltwood Art Museum and Gallery.

The Averted Eye Sees draws on UVic’s significant collection of Howarth paintings from the Michael C. Williams estate, as well as Howarth’s writing, sketches, ephemera, and digital archive, part of the regional artists archive initiative of UVic Libraries Special Collections and Archives. It also includes a fascinating case study on the challenges of ‘retro-computing’ in recreating Howarth’s early experiments in  digital artwork.

 

Curator’s Tour + Reception

The Averted Eye Sees: The Life and Work of Glenn Howarth

October 7, 3:30-5pm

Free & open to the Public

Room 027 – Legacy Maltwood (at the Mearns Centre – McPherson Library)

Join us for a curator’s tour and special showing of archival materials to celebrate local artist and educator Glenn Howarth and his lifelong obsession with visual perception. The exhibition includes paintings, drawings, prints and Howarth’s pioneering work in digital art (recently restored by the UVic Libraries), for which he received international recognition at the 1983 Sao Paulo Biennale and at Expo 86. Highlights of Howarth’s extensive personal archive including journals, letters, sketches and photographs will be seen at this one-time event. Reception to follow.

Guest curator Jenelle M. Pasechnik was the recipient of the 2015 Margaret Russell Graduate Internship in Curatorial Studies, which supports the preservation of art created by BC artists.

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Out of the Frame: Salish Printmaking

poster-workingJune 8 to October 1, 2016

In collaboration with Wachiay Studio (Andy McDougall) and curated by Dr. Andrea N. Walsh.

Legacy Art Gallery Downtown | 630 Yates Street

Featuring work by Charles Elliott, Doug LaFortune, Angela Marston, Andy Everson, Maynard Johnny Jr., lessLIE, Chris Paul, and Dylan Thomas.

Coast Salish artists challenge ideas about printmaking by bringing the process of printing into relation with cultural traditions, personal experiences and the material world.

View the exhibition website here

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Celebration Event + Artist Roundtable

Out of the Frame: Salish Printmaking

Food + Refreshments Provided
Free + open to the public | *Please note seating is limited.

September 24, 1 – 4pm | Legacy Art Gallery Downtown | 630 Yates Street

An afternoon event featuring an artist roundtable discussion with the artists from Out of the Frame: Salish Printmaking on the role of printmaking in their practices and new directions for printing taken up in the exhibition. Discussion will be moderated by curator, Dr. Andrea Walsh. Featuring a guest talk reflecting on the production of prints by Salish artists given by independent scholar India Rael Young.

1-2pm – Welcome + talk by India Rael Young “The Visual Vernacular in a World of Prints”
2-2:15pm – Break – light refreshments
2:15-3:15pm – Artist roundtable
3:15–4pm – Celebration with the Tzinquaw Dancers

Out of the Frame artists are: Charles Elliott, Doug LaFortune, Angela Marston, Andy Everson, Maynard Johnny Jr., lessLIE, Chris Paul, and Dylan Thomas

India Rael Young is an Andrew W. Mellon Dissertation Fellow in Art History at the University of New Mexico. Young’s research addresses the history of contemporary Native and First Nations prints from the Northwest Coast. More broadly, Young’s interests lie in North American print media, and emerging modes of reproduction. Her curatorship and writing negotiate feminist, post-colonial, and critical race frameworks to expose the complex web of cultural underpinnings in the North American art world.

New Book Histories Publishers, Printers and Presses

NEWBookHistoriesFebruary 19 – extended to June 26, 2016

This exhibition is curated by the students in English 500 (Textual Studies and Methods of Research), under the supervision of instructor Dr. Janelle Jenstad.

Legacy Maltwood (at the Mearns Centre – McPherson Library)

Book histories often focus on authors and readers. Yet publishers and printers play key roles in both the art and business of book production. This includes the material form and aesthetics of the book, the acquisition of rights, the shaping of the text, editorial history, and canon formation. Showcasing materials from the University of Victoria Special Collections and University Archives, this exhibition traces the role of publishers and printers in literary history from early production in scriptoria to 21st-century BC small presses. Come learn how early publishers remade the codex in the sixteenth century, who owned and regulated the right to print, how 18th-century printers made Shakespeare, what drove Dickens to become his own publisher, how Lady Chatterley’s Lover escaped the censors, why serial publication mattered, and how literary archives shed light on relationships between publishers and authors.

Image Metal type, Special Collections and University Archives, UVic Libraries, photograph by John Frederick.

Emerging Through the Fog : Tsa-qwa-supp and Tlehpik – Together

FINAL posterFebruary 13, to May 28, 2016

Curated by Hjalmer Wenstob | With supervisory guidance from Williams Legacy Chair, Dr. Carolyn Butler-Palmer

Legacy Art Gallery Downtown 630 Yates Street
This is an exhibition of two Nuu-chah-nulth men, “Fog-God” Art Thompson from Ditidaht (1948-2003) and Hjalmer Wenstob from Tla-o-qui-aht. Two artists, two friends. Two lives together.

Featuring the prints and paintings of Art Thompson/Tsa-qwa-supp from the collection of the Legacy Art Galleries and interactive carvings by contemporary artist Hjalmer Wenstob/Tlehpik, whose work is inspired by and resonates with that of his teacher and friend Tsa-qwa-supp. Tsa-qwa-supp taught for many years and inspired a number of artists who continue his work in this day.

Emerging Through The Fog seeks to honour and commemorate the life and work of the dedicated teacher Tsa-qwa-supp on the occasion of Tlehpik’s B.F.A from the University of Victoria’s Visual Arts Department. We invite you to join us in celebrating the life of Tsa-qwa-supp, an inspiring and caring teacher.

Image (detail), Tlehpika, Hjalmer Wenstob.
INVITATION

Celebrating W.B. Yeats at 150

poster closing event August 22, extended to February 14, 2016

Curated by the University of Victoria’s Special Collections and Archives staff

Legacy Maltwood (at the Mearns Centre – McPherson Library)

2015 marks 150 years since the birth of Irish poet and Nobel laureate William Butler Yeats. This exhibit explores Yeats’ work as a poet and playwright with artwork, rare books, and printed ephemera drawn from the Legacy Gallery and Special Collections and University Archives. The exhibition also features unique items documenting the artistry of his family, including father John Butler Yeats, brother Jack Butler Yeats, and sisters Susan Mary Yeats (Lily) and Elizabeth Corbet Yeats (Lollie), all of whom were noted artists.

Yeats 2015 Facebook Page /// Offical Yeats 2015 Site

Closing Reception

The Legacy of W.B. Yeats

Join CBC Host and UVic Chancellor Shelagh Rogers for a panel discussion exploring the enduring legacy of Irish poet W.B. Yeats.

Thursday, January 28th, 4pm-5:30pm
Room 129 Mearns Centre for Learning– McPherson Library
On the University of Victoria CAMPUS

Free & open to the public.

This event is the closing reception for the Celebrating Yeats at 150 exhibition at the Legacy Maltwood Gallery.

Image Exhibition Poster. Portrait of W.B. Yeats by his brother Jack Yeats from Mosada: A Dramatic Poem (Dublin: Printed by Scaly, Bryers and Walker, 1886).

PRAXIS: Studio/Classroom: Current work by art educators from the University of Victoria

posterfinalJanuary 16 – February 6, 2016 

Legacy Art Gallery Downtown 630 Yates Street

In this first exhibition of 2016 at the Legacy Art Gallery Downtown, art educators from the University of Victoria’s Faculty of Education present a diverse range of current work, including ceramics, digital art, sculpture, painting, drawing, photography and video.

Committed to collaboration, exchange and annual group exhibitions, these artists/educators recognize the research value of studio practice where the interdependence of teaching and creative production each inform and enhance the other. Drawing upon diverse personal and professional experiences and inspirations, the exhibition of their creative production represents an exciting array of ideas, imagery and processes.

Opening Reception

Saturday, January 16, 2-4pm

Legacy Art Gallery Downtown

630 Yates Street

Join us to meet the artists and for light refreshments.

Image Michael J. Emme with New Muses, Don Bergland.

Beauty for All: The Arts & Crafts Movement in Europe and North America

 

posterOctober 3 – January 9, 2016

Legacy Art Gallery Downtown 630 Yates Street

Curated by Holly Cecil

To view the exhibition catalogue, click here.

An exhibition and film project at UVic’s Legacy Art Gallery features work by some of the best-known designers of the time: William Morris, C.R. Ashbee, the Roycroft Workshops, Tiffany Studios, Frank Lloyd Wright, Edward Burne-Jones, and Liberty and Co., all from the nationally recognized permanent collection at the University of Victoria.The exhibition demonstrates founder William Morris’s belief in a return to simplicity, and that beautiful, well- made objects in the home could promote a better life for both the user and the maker:”If you want a golden rule that will fit everybody, this is it: “Have nothing in your houses that you do not know to be useful or believe to be beautiful.“- William Morris, 1880.

To check out the Arts and Crafts Movement Film Project, click here

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Magna Mater: Katharine Maltwood and the Arts & Crafts Movement

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October 8, 2015 – January 9, 2016

Small Gallery

Legacy Art Gallery Downtown 630 Yates Street

Curated by Caroline Riedel

To view the exhibition catalogue, click here.

In 1911, Katharine Maltwood presented her first critically acclaimed sculpture, commissioned for the Roycroft Institute, one of the most important communal craft workshops of the North American Arts and Crafts Movement. Entitled Magna Mater, this piece was installed on the grounds of their headquarters in East Aurora, New York and was intended as a visual embodiment of the ideals held by some of the major proponents of the American Arts and Crafts Movement.

This exhibition investigates the role of the prevailing Arts and Crafts Movement in late 19th century Britain in Maltwood’s art, her research and” discovery” of the Glastonbury Zodiac, her art collecting interests, and subsequently how her bequest defined the collecting priorities of the University of Victoria for the next decade. Indirectly her life’s work helped to build one of the finest Arts and Crafts collections in the country and visitors will have the opportunity to learn more about this highly regarded sculptor’s work.

To check out the Arts and Crafts Movement Film Project, click here

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unlimited edition

poster final with canada logoJuly 4 – September 26, 2015

Legacy Art Gallery Downtown 630 Yates Street

unlimited edition is organized by the Kamloops Art Gallery.

Curated by Tania Willard (Secwepemc), Aboriginal Curator in Residence, Kamloops Art Gallery

To view the exhibition catalogue, click here.

Kenojuak Ashevak, Inuit | Carl Beam, Ojibwe | Robert Davidson, Haida | Charles Greul | Chuuchkamalathnii, Nuu-chah-nulth | Mark Henderson, Kwakwaka’wakw | Richard Hunt, Kwakwaka’wakw | Ellen Neel, Kwakwaka’wakw | Pudlo Pudlat, Inuit | Daphne Odjig, Odawa-Potawatomi | Walter J Phillips | Bill Reid, Haida | Chief Henry Speck, Kwakwaka’wakw | Art Thompson, Nuu-chah-nulth | Art Wilson, Gitsxan
With artists from the University of Victoria Art Collection: Doug Cranmer, Kwakwaka’wakw | Joe David, Nuu-chah-nulth | Stan Greene, Coast Salish | Roy Henry Vickers, Tsimshian Haida heilstuk | Susan Point, Coast Salish
unlimited edition attempts to construct an art historical framework that looks at how prints by Aboriginal and Inuit artists represented in the Kamloops Art Gallery’s permanent collection, supplemented by works on loan from the Carleton University Art Gallery and Legacy Art Galleries, represent a drive to preserve, portray and popularize oral histories and address social inequities in the medium of printmaking. Featuring prints from Northwest Coast, Woodlands and Inuit artists with a focus on an early period of printmaking in the 50s through to the 70s, unlimited edition showcases prints that relate to ideas of cultural story, politics of land, and the beauty of Indigenous aesthetics.

Image Spirit Owl, Kenojuak Ashevak (Inuit), from Kenojuak Lithography series, 1979

CURATOR’S TALK /// Saturday, September 26, 2pm | Legacy Art Gallery Downtown 630 Yates Street /// Free & open to the public

This project is funded in part by the Government of Canada.

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The Arts of World War I

Legacy Maltwood (at Mearns Centre – McPherson Library)

Curated by Dr. Marcus Milwright (Department of Art History and Visual Studies)

View the exhibition catalogue here

This exhibition marks the centenary of the start of of the “Great War” with a cross cultural focus on the visual and material culture of World War I. The exhibition includes books, prints, and personal objects drawn from the Legacy Art Galleries, the UVic Libraries (Special Collections and Archives), and private collections in Victoria. These objects present visual manifestations of the war in the theatres of conflict in Europe and the Middle East as well as the production and consumption of art and literature in Canada between 1914 and 1918. Visitors will also see unique examples of European and Middle Eastern “trench art”, a term which refers to objects made by soldiers in times of conflict as well as those made of spent artillery shells and other military equipment by civilian artisans after the cessation of hostilities. Another central part of the exhibit is the so-called “J.M. Diary.” The curator is inviting the public to solve the mystery of who illustrated this fascinating first-hand visual account.

Help solve the History Mystery!

History mystery of Great War diary. View the diary here

A two-volume leather diary of the First World War is missing the name of its soldier diarist and the University of Victoria is hoping history buffs or family members will help solve the mystery.
J.M.’s World War I sketchbooks, signed simply “J.M.” and housed within UVic Special Collections and University Archives for more than three decades, contain approximately 130 sketches and drawings ranging from caricatures to sombre images of trench art, by a British soldier based in France and Belgium in 1917 and 1918.

“It’s a history mystery worthy of its own exhibition,” says Dr. Marcus Milwright of UVic’s Department of Art History & Visual Studies. He is the curator of the Arts of World War I exhibit which opened Nov. 7 at UVic and says he knew right away there was one item in the collections he “just had to use. But there’s only one problem: I have no idea who it actually belonged to.”

UVic has no record of where the diary came from, only that it was purchased from a private seller. UVic Libraries has been trying for some time to solve this mystery as well and is hoping the war’s centennial will spark new leads. Milwright’s theory is it was sold by a family member, possibly through an estate sale following the death of J.M.’s daughter.

“The dedication says, ‘To my daughter, Adele’,” adds Milwright. The images “look to me like book illustrations, so it’s probable J.M. was a trained painter or illustrator.”

If anyone knows anything about J.M., Adele M. or the diary, please contact Milwright at mmilwrig@uvic.ca.